Planning your film’s audio from the start is essential for a smooth production process. In pre-production, consider how sound will...

When creating a soundtrack for your film, it’s essential to ensure that all the music you use is legally sourced. There are two main...

Understanding the difference between diegetic and non-diegetic music is crucial when planning a film’s soundtrack. Diegetic music is...

Working with a composer is an exciting step in the filmmaking process, but to make it successful, clear communication is key. Start by...

Choosing the right music for a film can make all the difference, and at Stampede Immersive , we consider it one of the most impactful...

Automated Dialogue Replacement (ADR) is a technique we use often to improve dialogue quality during post-production. Sometimes, the audio...

At Stampede Immersive , we believe that sound design is an integral part of filmmaking that goes beyond just complementing visuals. It...

Stampede Immersive payment plans as now available with AfterPay in 4 instalments when you pay in person. All you have to do to be...

The audio experience in theatrical releases and streaming platforms differs dramatically, and these differences can significantly impact...

Foley is the art of recreating everyday sounds in post-production to enhance the realism of a film. Everything from footsteps and doors...

There are many formats that exist in sound that provide options for playback in many different types of environments. The easiest was to...

So, you've finished editing your project and you have the final cut - now it's time to prepare for the mix! There are many things that go...

For short films and some features, it is ok to produce a mix in stereo but in general, most of them will require a 5.1 or higher surround...

A new way to pay your bill while working with Stampede Immersive. We have found that bands and other groups of people like to split bills...